Переведите этот стих, чтобы в нём нормально были рифмы A Red, Red Rose

MY love is like a red red rose
That’s newly sprung in June:
My love is like the melodie
That’s sweetly play’d in tune.

So fair art thou, my bonnie lass,
So deep in love am I:
And I will love thee still, my dear,
Till a’ the seas gang dry.

Till a the seas gang dry, my dear,
And the rocks melt wi’ the sun:
And I will love thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only love,
And fare thee weel awhile!
And I will come again, my love,
Tho’ it were ten thousand mile.

Красная, красная роза

Моя любовь подобна красной красной розе

Это только что появилось в июне:

Моя любовь похожа на мелодию

Это прекрасно гармонирует.

Так прекрасна ты, моя красотка,

Я так сильно влюблен:

И я буду любить тебя до сих пор, моя дорогая,

Пока море не высохнет.

Пока морская банда не высохнет, моя дорогая,

И скалы тают на солнце:

И я буду любить тебя до сих пор, моя дорогая,

Пока песок жизни бежит.

И прощай, моя единственная любовь,

И прощай ненадолго!

И я приду снова, любовь моя,

Хотя это были десять тысяч миль.

хз, рифма оч сложно

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Ben Gomori 28 February 2020Creators United

Bring your Song Writing Skills to the Next Level

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Fleshing out an initial line or idea for a lyric can be a seriously taxing, tortured process.

Likewise, finding the right lyrics to fit a musical motif that you really like can also be a struggle.

While the skill comes very naturally to some, others have to work a lot harder to hone their craft.

Luckily, there are techniques and jumping off points that can be helpful when it comes to get lyrics down. The more you listen to and analyse the lyrics of the greats, the more of these tricks and techniques will become apparent.

In this article:

We’ll run through pointers showing how to analyse the lyrics of others and inform your own to help you improve.

And we’ve set some exercises so you can practice the techniques for yourself.

Perspective and voice

A common misconception people make with regards to analysing lyrical content is presuming that whoever wrote the words or is singing them must be delivering them in an autobiographical manner: that is to say, they are speaking as themselves. But many lyrical masters frequently adopt different characters in their songs, often without changing the delivery of their vocals.

Gangster rap came under particular fire for this in the 1990s, when its detractors assumed that any rapper telling stories about the streets and gang life must have be advocating for and glamourising that way of life. In truth, some of them were, but many of them were simply exposing the environment they were created in, the oppression of the system that shaped them and the difficulties people faced in escaping these dangers.