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Спереводом егэ for professional musicians, the instrument on which they play is more than just a tool of the trade. it can also be a muse, a partner and a voice. min kym started playing the violin at age 6 and won her first competition at 11. now, the former child prodigy is the author of a new book: gone: a girl, a violin, a life unstrung, in which she shares her story of finding her perfect partner — only to have it stolen away. "from a very young age, i was aware that the most important thing as a violinist and as a musician is to find your voice through the right instrument," kym says. for a professional soloist, that means a top-shelf violin worth hundreds of thousands of dollars. and for kym, that meant a stradivarius. she had saved all of her competition winnings for this purpose; it was just a matter of finding the right one. when she was 21, an instrument dealer brought her two violins to choose from. "and everybody was sort of pointing towards one of the violins, which had a incredibly sonorous and powerful sound — everything that, as a soloist, you would be looking for," kym says. so she tried that first violin. it sounded "magnificent," but something wasn't right. "it was like i was wearing an incredibly beautiful gown that didn't suit me," she says. "and so i put it down and i picked up the other one. and it was smaller, it had been repaired — it had gone through the water. i could see that. however, when i played that first note, just, oh my goodness i knew this was my voice." she'd found her voice in the form of a rare 1696 stradivarius, which she describes with wonder as having "an incredible soprano" and an audible "orbit around the notes." "the first real, true partnership i felt was with this strad," kym says. "i had my violin for 10 years, and i was still getting to know it. even after 10 years it was still showing me new things, it was teaching me new ways of playing." unfortunately, that partnership wasn't meant to last. what happened next made headlines: one november evening, kym and her boyfriend were sitting in a café in a london train station when three thieves snagged her violin out from under the table. she's been reliving that moment ever since. "it's one of those things that i still find so horribly painful to talk about," she says. "i didn't know who i was anymore, and i didn't know what to do with myself. i felt as though i was just a sort of shell of a person. you know, when it's a human relationship, it's something that everybody can relate to and understand. but i think as a violinist, as a musician, as an artist, when you know the relationship that you have with your particular art, it's something that lives inside you and has a life of its own. and that's very difficult to explain or describe." three years later, detectives were actually able to recover kym's violin. but her insurance company had paid out the claim after it was stolen, and she had a career to carry on with — so kym had already used the money to buy a replacement violin. but she couldn't stop thinking about the one she had lost. it was writing her memoir, she says, that helped her move forward. "one of the most important things that i learned throughout this whole process is that we have such little control over anything," she says. "but one thing that we do control is how you deal with the next steps forward. writing — actually finding this new voice — it helped unblock my musical life. and, you know, for the first time in seven years or so, i felt hopeful again."

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спрос3
спрос3
4,7(92 оценок)
For professional musicians, the instrument on which they play is more than just a tool of the trade. it can also be a muse, partner and voice. min kim started playing the violin at the age of 6 and won her first competition at 11. now the former prodigy of the author of the book: gone: the girl, the violin, the life is irritated, in which she shares her story of finding her ideal partner — only that he is stolen. "from a very young age, i knew that the most important thing is how a violinist and how a musician should find his voice through the right instrument," kim says. for a professional soloist, this means that the top shelf of the violin is worth hundreds of thousands of dollars. and kim, that meant stradivarius. she saved all her winning competition for that purpose; it was just a matter of finding the right one. when she was 21 years old, a merchant of cannon brought her two violins to choose from. "and everything kind of points to one of the violins, which was an incredibly sonorous and powerful sound — everything both as a soloist and you would look for," kim says. so she tried that first violin. it sounded like "gorgeous," but something was wrong. "it was how i was dressed in an incredibly beautiful dress that didn't suit me," she says. "and so i put it down and i took another one. and it was smaller, it was repaired -- it went through the water. i could see that. however, when i played the first note, just, oh my god i knew it was my voice." she found her voice in the form of a rare 1696 stradivarius, which she describes with surprise as" incredible soprano "and a sonic"orbit around the notes". "the first real, genuine partnership i felt with this strad," kim says. "i've had my violins for 10 years and i still recognize him. even after 10 years he was still showing me new things, he taught me new ways to play." unfortunately, this partnership is not destined to last. what happened next made the headlines: one november night, kim and her boyfriend were sitting in a cafe at london train station when three thieves caught him violin from under the table. she already has felt this moment until now. "this is one of those things i still find it so terribly painful to say," she says. "i didn't know who i was, and i don't know what to do with myself. i felt like i was just a shell of a man. you know, when it's a human relationship, it's something that everyone can understand and understand. but i think as a violinist, as a musician, as an artist, when you know that the relationship you have with your art is that it lives inside you and lives its own life. and it's very hard to explain or describe." three years later, the detectives were able to repair kim poe's violins. but her insurance company paid the claim after it was stolen and she has made a career to pursue — so, kim has already used the money to buy a new violin. but she couldn't stop thinking about who she lost. she was writing her memoirs, she said that helped her to move forward. "one of the most important things that i learned throughout this process is that we have so little control over anything," she says. "but one thing we control is how you handle the next steps forward. write — on fact find this a new voice-he helped unlock my musical life. and, you know, for the first time in seven years or so, i felt hope again."
nina236
nina236
4,6(12 оценок)

1) что мудрецы сказали в первый раз?

"that's easy.we know how to get rid of them" 

это легко. мы знаем, как избавиться от них. (от мышей)

2) каких животных мудрецы во дворец во второй раз?                  

they took dogs to the palace the second time.  

они собак во дворец во второй раз.        

3) что ты думаешь, мудрецы сделали потом?                              

the wise men brought in lions. 

-мудрецы львов.

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